Reviews

“Vision Series 2004” — Joanna Harris, Voice of Dance, March 2004

“We need more such programs to prove to educators, politicians and the public that dance and the arts make for strong people and great performers.”

“Vision Series 2001” — Joanna Harris, Voice of Dance, February 2001

“How do we develop and cultivate the next generation of dancers? Donnette Heath and dRepSF solves the problem with the Vision Series... She gets my vote for “wonder woman of the dance scene,” all that organization and two performances! Everyone deserves a chance to be seen. Donnette Heath and dRepSF have done an outstanding job making this possible.”

“Small Wonder...” — Rita Felciano, SF Bay Guardian, February 2002, Women on the Way Festival

“Of the two solos, Emma Lou Huckabay’s The Veil for Donnette Heath, was the more telling. Emma’s work possesses a physically grounded voice that can sing in just about any key...On the surface, The Veil was simplicity itself.”

“Dance performance proves to be a moving experience... Dance Director Heath brings varied works to life...” — Cindee de la Vara, The Piedmonter, February 2002

dRepSF gave the audience a night to remember and future dRepSF performances promise to be equally moving...Repertoire at the WOW Festival was a kaleidoscope of recreation, reflection and remembrance. “I’ve watched Donnette’s company as it has grown,” said Mary Alice Fry, Director of Venue 9. “She’s very professional and the cream of the crop. She’s sincere in her effort to reach out and save lives. “Rye Pie” by San Francisco choreographer Christine Cali, gave its audience plenty to watch… Heath’s performance of “The Veil” in an illumination of red, surrounded by black, was as transparent as the gown she wore…”

Critic’s Choice, "Debut Gala'97: Part II" — Rita Felciano,
SF Bay Guardian, November 1997

“A company’s universe usually revolves around the choreographer who founded it. dRepSF tries to be more inclusive and to present audiences with a broader range of choices…The opportunity to see work from outside the Bay Area, often performed by local dancers, proved intriguing.”

“Debut Gala '97” — Guang-Shing Cheng, Synapse, December 1997

“…eclectic would be the word that I would use to describe the modern dance company. Each piece had its own style, as did each performer. Heath’s vision is to revive dance pieces while creating new works and bringing together guest artists to comprise a diverse repertory. Her plans give dancers…a chance to perform and continue with their artistry…”One Second Before Time,” had a hypnotic effect. Each piece was an aesthetic and visceral experience…DANCE REPERTORY performances are worth watching out for...”